Moes R Korean Art From the Brooklyn Museum Collection
Director
Cameron Kitchin is the Louis and Louise Dieterle Nippert Director of the Cincinnati Fine art Museum, where he serves equally the 9th director in the museum'southward 139-yr history. Kitchin is dedicated to the fine art museum'due south service to the public and advancing the role of art and education in Cincinnati's civic agenda. Since his engagement in 2014, Kitchin has led the museum to embrace its founding principles of inspiring people and connecting communities through the power of fine art. He guides the museum'southward institutional vision, the collection of over 67,000 objects spanning 6,000 years, exhibitions, publications, research resources, art library, educational initiatives, outreach programs, external relations, administrative management and strategic planning. Kitchin previously served as Manager of the Memphis Brooks Museum of Art and as Executive Director of the Virginia Museum of Contemporary Fine art. His professional feel includes special projects with the American Brotherhood of Museums and museum planning with Economics Inquiry Associates. Kitchin holds degrees in art history from Harvard University and business organization administration from William & Mary. He is an alumnus of the Getty Leadership Institute and Leadership Cincinnati. Kitchin serves the field through numerous professional societies, including the Clan of Fine art Museum Directors, and is a member of the board of the International Quango of Museums' United States national commission (ICOM-US).
Senior Staff
David W. Linnenberg serves as the Chief Administrative Officer at the Cincinnati Art Museum. He oversees the museum's fundraising, marketing and communications, design and dissemination, membership, visitor services, learning and interpretation, security, building and grounds, exhibition design and installation, registration, and government relations departments. Mr. Linnenberg is an active member of several community organizations, including the Lath of Directors of the Ohio-Kentucky-Indiana Regional Council of Governments, and the Cincinnati The states Chamber of Commerce Regime Policy Committee. He is Chairman of the Green Township Lath of Trustees where he lives with his married woman, Jenifer, and two daughters, Ava and Anna.
Carol Edmondson is the Master Fiscal Officeholder (CFO) of the Cincinnati Art Museum. Mrs. Edmondson joined the Fine art Museum in 1996 as an accountant and has continuously served the Art Museum for over xx years. In her current role as CFO, she oversees the Finance, Souvenir Shop, Nutrient Services, Facility Rental, and It departments. Mrs. Edmondson was named a 2013 CFO of the Twelvemonth Finalist past Cincinnati Business Courier.
Prior to joining the Fine art Museum, Mrs. Edmondson worked as an internal auditor for Eagle Bank. She holds a Available'south of Science in Bookkeeping from Northern Kentucky University. Outside of work, Mrs. Edmondson is a member of the Visionaries and Voices Board of Trustees and actively volunteers with numerous Grant County school programs, including serving as treasurer for several athletic teams.
Amy Burke is the Manager of Company Experience at the Cincinnati Art Museum where she oversees the Company Services Section, Visitor Research, and Security, as well as the Visitor Service Aide Volunteer group. She has been with the museum since 1995 and holds a Bachelor'due south caste in Business Management from The Union Found and University. Currently serving as co-chair of the Parent and Student Organization at CCM's Preparatory Department, Ms. Burke also volunteers for the Girls Scouts of Western Ohio too as volunteering at her daughters' schoolhouse. Ms. Burke resides in College Hill with her husband and two daughters.
Jill Due east. Dunne has been the Director of Marketing and Communications at the Cincinnati Art Museum since 2014. In this role, she leads a team of six and manages the system's advertising, public relations, social media, design, website, outreach for sensation and attendance-edifice, and Art After Dark monthly events. Under her leadership, the museum has received international attention for its honour-winning exhibitions, including features in the New York Times, The Wall Street Journal and the Huffington Post. With twenty years of experience in various communications roles, she has represented some of Greater Cincinnati's virtually noteworthy services, products and attractions. She received the 2020 Women of Influence Award from Lead Tribune Media Group, publisher of Venue Magazine. She also received the Venue/Lead Magazine Swell Leaders Under 40 Accolade, the LEGACY Leadership Award and was named to the Cincinnati Business Courier'southward "Twoscore Nether 40." She is on the board of the Art Museum Marketing Association (AMMA) and the Ohio Museum Clan (OMA). A member of the Cincinnati Regional Attractions & Cultural Tourism Team and Cincinnati PRSA, she is a graduate of Northern Kentucky University.
Ted Forrest serves every bit the Human Resources Director at the Cincinnati Art Museum. He oversees all recruitment, benefit assistants, operation direction, and employee relations for all departments in the museum. Mr. Forrest has worked in the human resources field since 2003 with progressing levels of feel and responsibleness. He earned a Available of Arts and a Main of Arts in Human being Resources from the Academy of Cincinnati. Mr. Forrest is actively involved in his customs through the coaching youth sports and volunteering with various local organizations. Mr. Forrest resides in Kenwood with his family.
Emily Holtrop is the Director of Learning & Interpretation at the Cincinnati Art Museum. With over 17 years of museum education feel, Ms. Holtrop has worked in the Division of Learning & Interpretation at the Cincinnati Art Museum since 2002. Her previous position with the museum was as the former assistant curator for school and instructor programs. In her current role, Ms. Holtrop oversees the Fine art Museum's interpretive and educational initiatives. This includes public programs for all audiences and abilities besides equally gallery interpretation. Earlier coming to the Cincinnati Art Museum, Ms. Holtrop was the Teaching Outreach Coordinator for the Historical Museum of Southern Florida and the Caribbean, now History Miami. Ms. Holtrop served as the National Fine art Education Association Museum Education Partition Director from 2015-17 and was named the 2018 National Museum Educator of the Year by the same organisation. Ms. Holtrop has also served on the Board of Directors for the Association of Midwest Museums and the Ohio Alliance for Arts Didactics. Ms. Holtrop holds an A.A. in Art History from G Rapids Community Higher, a B.A. in Public History from Western Michigan University and an MSc. in Architectural History from the Academy Higher of London-Bartlett School of Architecture.
Susan Hudson is the Director of Collections & Exhibitions. She oversees Registration, Design & Installation, Photograph Services and the Mary R. Schiff Library. Ms. Hudson has worked at the museum since 2008 as the onetime Exhibition Coordinator. She now manages and directs all interdepartmental aspects related to exhibition organization and serves as the principal internal and external contact for all exhibition-related administrative matters. Before coming to the museum, Ms. Hudson was the Assistant Registrar for Exhibitions at the Cleveland Museum of Art, and later, the Manager of Collections and Registration at the Taft Museum of Art. She holds an Thou.A. in art history from Kent State University.
Kirby S. Neumann is the Director of Philanthropy at the Cincinnati Fine art Museum. In this part he oversees and provides strategic leadership to all fundraising programs which include museum membership, annual fund, individual giving, the Founders Society, corporate sponsorship, grant seeking, foundation relations, and planned giving. Mr. Neumann has been a professional fundraiser since 2005 and has earned the designation of Certified Fundraising Executive (CFRE). He grew up in Cincinnati where he earned a Available of Arts degree from the Academy of Cincinnati. Kirby is agile with several community organizations and currently serves on the board of GRAD Cincinnati. Mr. Neumann resides in Northern Kentucky with his married woman Jennifer and son Bryce.
Curators
Cynthia Amnéusis Primary Curator and Curator of Fashion Arts and Textiles for the Cincinnati Art Museum with more than xx years of feel in her field. She received her B.A. from Edgecliff College of Xavier University and her M.A. from Illinois State University in textiles and fibers. She has lectured throughout the United States and published in diverse scholarly journals such as the Journal of the American Institute of Conservation, The Journal for the American Society of Jewelry Historians, and the Berg Encyclopedia of World Dress and Manner on a variety of manner and fabric topics. In 2004 she won the Victorian Society of America'due south Ruth Emery Publication Accolade for A Separate Sphere: Dressmakers in Cincinnati's Gilt Age, 1877-1922. Amnéus as well curated and authored the accompanying catalog for Wedded Perfection: 200 Years of Nuptials Gowns (2010). She has curated traveling exhibitions, including High Style: xxthursday Century Masterworks from the Brooklyn Costume Collection (2015) and Iris van Herpen: Transforming Way (2018) and guest curated exhibitions for the Fabric Museum, Washington D. C. and the Crow Museum of Asian Art in Dallas.
Dr. Julie Aronsonhas served equally Curator of American Paintings, Sculpture and Drawings at the Cincinnati Art Museum since 1999. Dr. Aronson earned her B.A. in art history from Brandeis University, M.A. from Williams Higher, and Ph.D. from the University of Delaware. She is the recognized authorisation on the sculpture of Bessie Potter Vonnoh, the subject of her doctoral dissertation and her touring exhibition and catalogue Bessie Potter Vonnoh: Sculptor of Women (2008). Dr. Aronson's professional experience includes a position as the assistant curator of American art at the Nelson-Atkins Museum of Fine art in Kansas Metropolis, Missouri, and research posts at the National Gallery of Art and the Smithsonian American Art Museum. She has published and lectured on topics ranging from New England folk portraiture to painters and sculptors of the Cincinnati region. Her enquiry on the Cincinnati Impressionist Edward Henry Potthast culminated with the exhibition and publication Eternal Summer: The Art of Edward Henry Potthast (2013). Dr. Aronson has contributed essays to American Naïve Paintings from the National Gallery of Art, The Oxford Dictionary of American Artand other compendia. At the Cincinnati Art Museum, she collaborated with Marjorie E. Wieseman to curate the exhibitionPerfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum (2006) with its landmark catalogue. Dr. Aronson was on the curatorial team that produced the permanent drove displayThe Cincinnati Fly: The Story of Art in the Queen City, and edited and co-authored the companion publication.
Amy Miller Dehan is the Curator of Decorative Arts and Design at the Cincinnati Fine art Museum. She has served the museum since 2001. Dehan was part of the curatorial team that developedThe Cincinnati Wing: The Story of Art in the Queen City and has worked on diverse installations of the museum'south American and European art collections. Her writing on decorative arts and design has appeared in catalogues includingGorham Silver: Designing Brilliance 1850–1970, Cincinnati Silver: 1788–1940; Outside the Ordinary: Contemporary Art Glass; and Cincinnati Art Carved Piece of furniture and Interiors. She has also been published in The Magazine Antiques, Silverish Mag, Gastronomica, and other periodicals. Ms. Dehan has curated multiple exhibitions for the museum, includingCincinnati Silver (2014); The Fine art of Sound: Four Centuries of Musical Instruments (2012); Going Dutch: Contemporary Pattern from Local Collections and the Cincinnati Art Museum (2011); Forcefulness of Nature: Contemporary Japanese Ceramics from the Horvitz Collection (2010); and Outside the Ordinary: Gimmicky Art in Glass, Wood and Ceramics from the Wolf Collection (2009). Ms. Dehan earned her B.A. from the Higher of William and Mary and her M.A. from the Academy of Southward Carolina. She is an alumnus of The Winterthur Fall Constitute and the Attingham Summer School. She held internships and fellowships at the J. Paul Getty Museum and the Metropolitan Museum of Art and has worked in the field of decorative arts for twenty-five years.
Kristin Spangenberg serves every bit Curator of Prints at the Cincinnati Art Museum. She has more than than xl years of experience in her field, having previously served equally Assistant Curator of Prints at the Cincinnati Art Museum and Assistant Curator of Graphic Arts at the Detroit Institute of Arts. Ms. Spangenberg earned her bachelor's degree from the University of California at Davis, and a master'due south caste from the Academy of Michigan. She also served an internship at the Metropolitan Museum of Arts, Impress & Photograph Department and has participated in various seminars. She is a member of the Impress Council of America and the Circus Historical Society. Ms. Spangenberg has lectured on many topics, including contempo lectures on Henri Toulouse-Lautrec, Pablo Picasso, and Frank Duveneck. She has likewise written catalogues for many of the museum's exhibitions on prints, drawings and photographs. Most recently she has contributed to and edited The Amazing American Circus Poster: The Strobridge Lithographing Company (2011).
Dr. Hou-mei Sung has served as the curator of East Asian Art at the Cincinnati Art Museum since 2002. Dr. Sung received a B.A. in foreign languages and literature and an M.A. in Chinese history, both from the National Taiwan University. She likewise earned a Ph.D. in museum studies from Case Western Reserve University. Prior to coming to Cincinnati, Dr. Sung served equally enquiry associate at the Cleveland Museum of Art and a multifariousness of research and teaching positions in museum and academic fields in Asia and throughout the United states, including the National Palace Museum in Taipei, Taiwan; John Carroll University; Colorado College; Cleveland Country Academy; and Case Western Reserve University. Dr. Sung has organized over ten special exhibitions, including Dressed to Impale: Japanese Arms and Armor and Terracotta Army: Legacy of the First Emperor of China. She has about sixty publications, including her recent books Decoded Messages: The Symbolic Language of Chinese Animal Painting and Masterpieces of Nippon at the Cincinnati Art Museum.
Dr. Nathaniel Yard. Stein, Curator of Photography, joined the Cincinnati Fine art Museum in 2017. Stein holds degrees in fine art history from Wesleyan University and Dark-brown University, where he earned his Ph.D. He has organized exhibitions on contemporary and historical photography from Due south Asia, Europe and North America, including recent presentations in Cincinnati of the works of Gillian Wearing and Hank Willis Thomas. Selected publications include the exhibition catalogue The Levee: A Photographer in the American South (CAM/Candor Arts, 2020), which was the first major study of Indian photographer Sohrab Hura, andInterference: Andre Bradley and Paul Anthony Smith (PPAC, 2017). Prior to arriving in Cincinnati, Stein held curatorial positions at the Philadelphia Museum of Fine art, the Philadelphia Photo Arts Center, and the RISD Museum. He has taught the history of photography, motion picture, and modern and contemporary art at the Rhode Island School of Pattern, Arcadia University, and Brown University; held fellowships at the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art; and delivered lectures on nineteenth-century and contemporary visual culture at institutions in Europe and the United States.
Dr. Ainsley M. Cameron was appointed Curator of Southward Asian Art, Islamic Art and Antiquities at the Cincinnati Art Museum in 2017. Cameron completed her doctorate at the Academy of Oxford in 2010, where her research focused on the belatedly eighteenth and early on nineteenth century Rajasthani painting workshop at Devgarh. She as well holds an MA from the School of Oriental and African Studies (SOAS) at the Academy of London, and a BA in Archaeology and History from the Academy of Toronto. Cameron comes to Cincinnati with extensive feel in curatorial practice, having previously held positions at institutions including the Philadelphia Museum of Fine art, the Victoria & Albert Museum, the British Museum, and the British Library. In Cameron'southward role at the Cincinnati Art Museum, she is responsible for the acquisition, enquiry, and brandish of the museum'due south Southward Asian, Ancient Centre Eastern, Islamic, and Antiquities collections. She has published, delivered lectures, and organized exhibitions that highlight the arts of India and the Islamic World, exploring both historic and contemporary practices. Cameron is also Project Manager of a multi-year gallery reinstallation project of CAM's aboriginal Center Eastern collections, funded by the National Endowment for the Humanities and the Andrew West. Mellon Foundation.
Dr. Peter Jonathan Bell, Curator of European Paintings, Sculpture and Drawings, joined the Cincinnati Art Museum in 2017. Bell holds degrees from Oberlin College and the Courtauld Found of Fine art, Academy of London, and earned a Ph.D. in Art History at the Institute of Fine Arts, New York University. He has lectured and published in Northward America and Europe on Renaissance and Baroque art, and is a beau of the American Academy in Rome. Before coming to Cincinnati, Bell was a curator in the department of European Sculpture and Decorative Arts at the Metropolitan Museum of Art, where he organized exhibitions on Italian sculpture and ceramics, and contributed to gallery installations, collections inquiry and acquisitions. At the Cincinnati Fine art Museum, he has mounted exhibitions on Baroque painter Guido Cagnacci, the arts and amusement of Belle Époque Paris and the mysterious Renaissance masterpiece La Vecchia by Giorgione; led efforts to acquire British and Italian paintings and French sculpture; and published on Italian Renaissance and Baroque paintings and sculpture.
Header image courtesy of Dish Design.
Source: https://www.cincinnatiartmuseum.org/about/staff-bios